discrepancy-noun- difference, inconsistency, or lack of agreement between two or more things expected to be the same (Cambridge Dictionary).
Unfortunately in today's society, there seems to be a discrepancy between what kids prefer and what parents think they prefer, especially when it comes to the arts.
Because contemporary parents (mainly Millennials) grew up experiencing rapid-fire changes in technology within a relatively brief time (from basic laptops and flip phones to smart phones, watches, AI, etc.), perhaps they have forgotten what it is to be a child who has only been residing on Earth for a few short years rather than decades. Genetically, we are wired simplistically, structured without mechanical parts festooned with strobe lights that flash in an effort to grab our attention. We come into the world relatively quietly although the transition from the womb onto our mothers' decompressing albeit mainly soft bellies in cold, white-washed hospital rooms lit by blaring, glaring fluorescent lighting might be jarring. As far as I know, the youngest of the young (a.k.a. newborns) are not handed iPhones or iPads immediately. And a brand new Neo laptop is out of the question as it isn't user friendly for freshly formed fingers slightly over an inch in length. Most intelligent parents set on permitting their kids several seasons to be kids know not to introduce the aforementioned mechanized appendages until their kids are at least in middle school. Which, judging by the deleterious side effects of such instruments, might even be way too soon.
So if parents are hesitant to purchase their kids any of the aforementioned gadgets, why do they think their kids might prefer a children's theater production or even a picture book that has enormous, grandiose production values over stages with minimal visual requirements and children's books primitively illustrated? Granted, all humans regardless of age tend to gravitate toward beauty as numerous psychological studies have proven, but moderation is key. I know of a production company here in Los Angeles that produces theater just for elementary school students. Rather than pay their actors, they spend thousands on the visual elements, such as lighting, scenery, and costumes. Because they are not a professional house, they attract mediocre talent. Their rationale for wanting to keep their uneducated, inexperienced actors penurious is that the student spectators prefer the glitz and glamour, yet in reality, they don't. Unlike their parents, they could care less. They just want adults or other children, as the case may be, to entertain them. To do this successfully, it might help that the cast has bonafide talent. Surely, a little bit of make-up and colorful costumes might entice the eyes, but the actors' actions and dialogue are what holds the house captive.
A literary example of the argument would be my flimsy, virtually homemade picture book Torey the Turkey Goes Skiing–my premiere offering featuring the worst writing I have ever done–that I self-published in 1997, way before Amazon or anyone else even thought of the idea. A print run back then of about 2000 cost my existing company 10K. I wanted to sell the self-illustrated, inter-species romance for $10.99 a piece. For that price, I would have made a modest profit, but the book's construction was so rudimentary that my conscience advised me to lower the price to $5.99. It sold then minus my skipping with joy to the bank as I had to fork over twenty percent of the profits to bookstores that agreed to carry it. But that's not the point. Kids have wanted their parents to buy the book because they can relate to its unadorned primitiveness. As it is the kind of book that they can make themselves (the binding is stapled), it is therefore relatable and motivational. In 1998, my friend's son was so enamored with it that he decided that he, too, would become an author someday. At 34, he is at present although he doesn't credit "the turkey book" as a inspirational, generative impulse probably because he was too young at the time. In any case, Torey is still selling out year after year at Bear Pond Books in Stowe, Vermont, a quaint, mom-and-pop that believes in the magic of primitivity. The flabby, spineless tome will turn thirty next year. There are about sixty copies left from the initial print run of 2108. Which I consider to be a personal triumph since most self-published authors out there now only sell about 200 copies per title–pretty paltry indeed, but not bad considering the enhanced competition.
Okay, so what's the takeaway? Let's look at the big picture: if it isn't obvious, parents, kids just want to be kids for as long as possible. Introduce them to quality, of course, but don't worry if they don't take to too much of it. Allow them to play with the sturdy, Williams-Sonoma pots and pans for the first few years before you contemplate sacrificing most of your paycheck buying them toys like miniature, electric Mercedes Benzes for Hanukkah or Christmas this year. They will have more fun creating cacophony and chaos, and your wallet will remain on the fat side. What's not to like?
Just saying.
#children, #parenting, #parenting advice, #blog, #blogger, #personal essay